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A finalist for the Miller Williams Poetry Prize, I/O is now available from University of Arkansas Press.

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Madeleine Wattenberg’s debut collection I/O alternates between epistolary poems to the mythical figure Io and lyrical interrogations of science, myth, and the historical record. Wattenberg casts Io—the priestess of Hera who was turned into a heifer—as a woman struggling to navigate the terrain between choice and coercion. Accompanying the letters to Io are poems whose explorations range from laboratories to airships in their pursuit of answers. Here the poetic imagination emerges as its own laboratory, drawing inspiration as much from ancient myth as from science and steampunk as it refuses to be constrained by a final conclusion.

Read the press release here.

Read about the cover art and design here.

 

Amandalynn Lovewell Illustrates I/O!

A huge thank you to Amandalynn for this gorgeous work that extends, revisions, and renews the book. Follow Amandalynn’s Instagram for complete access to this ongoing project. Prints available!

Praise for I/O

“Treading territory between myth and self, science and the imagination, eyesight and insight, Madeleine Wattenberg’s irresistible debut makes harmony of many worlds. The poems of I/O echo, shape-shift, and experiment. It is as if these poems truly were a passage from one place to another: ‘A pocketknife rattles in the washing machine. / Spring hasn’t yet broken through.’ These poems are tender and thrilling. Without a doubt, I will turn to I/O again and again.”
—Sally Keith, author of River House

“In I/O we are asked to consider along with the poet how an act of violence can be understood and transformed into art. In her search for a valid answer, Wattenberg looks through the microscopes and telescopes of science as well as the lens of myth. The scientific and mythic are not alternate, either/or ways of viewing the world but rather layered, both/and ways of coming to know. So these moving, intelligent poems argue—and enact—in dazzling images and varied musicks. I/O is as complex as it is engagingly accessible. The more I read and think about this astounding book the better it gets.”
—Jennifer Atkinson, author of The Thinking Eye

Selected poems from I/O

Charon’s Obol,” Guernica

Invocation to Flame” and “Echeneis or Six Ways of Letting Go,” Muzzle Magazine

Ars Mythos,” Tinderbox Poetry Journal

An Inventory of Margaret Cavendish’s Laboratory,” Glass Poetry Journal

Reconfiguration,” Baltimore Review

Osteoclasts,” sixth finch

In Which the Trojan Horse Burns Blue,” The Rumpus

Reviews, Interviews, Features

Review by Lisa Summe for Tinderbox Poetry Review

“Maddy’s debut collection is fire, the kind capable of igniting itself: “I don’t wash my hair for ten straight years / and each day the oil drips down my back, / a just-in-case gasoline that I keep close by (16).” Among the wreckage and the debris of violence, we find a vulnerability and tenderness and it is both universal and deeply private. I’ll be pulling this book from the shelf all year.”
—Lisa Summe, Tinderbox, October 2021

Review by Z.L. Nickels for salt hill journal

“For her first collection, Madeleine Wattenberg has pushed the boundaries of our engagement with myth by traversing the field of desire. It is an admirable debut. It is perhaps most admirable when asking what Io of Argos never could: once transformed, who are we to blame for our transformation?”
—Z. L. Nickels, Salt Hill, August 2021

Kenyon Review: Poetry Today

The Rumpus, “What to Read When You Want to Celebrate Poetry”

Miracle Monocle (Interview with Michael Pfaff)