Amandalynn Lovewell Illustrates I/O!
A huge thank you to Amandalynn for this gorgeous work that extends, revisions, and renews the book. Follow Amandalynn’s Instagram for complete access to this ongoing project. Prints available!
Praise for I/O
“Treading territory between myth and self, science and the imagination, eyesight and insight, Madeleine Wattenberg’s irresistible debut makes harmony of many worlds. The poems of I/O echo, shape-shift, and experiment. It is as if these poems truly were a passage from one place to another: ‘A pocketknife rattles in the washing machine. / Spring hasn’t yet broken through.’ These poems are tender and thrilling. Without a doubt, I will turn to I/O again and again.”
—Sally Keith, author of River House
“In I/O we are asked to consider along with the poet how an act of violence can be understood and transformed into art. In her search for a valid answer, Wattenberg looks through the microscopes and telescopes of science as well as the lens of myth. The scientific and mythic are not alternate, either/or ways of viewing the world but rather layered, both/and ways of coming to know. So these moving, intelligent poems argue—and enact—in dazzling images and varied musicks. I/O is as complex as it is engagingly accessible. The more I read and think about this astounding book the better it gets.”
—Jennifer Atkinson, author of The Thinking Eye
Selected poems from I/O
“Charon’s Obol,” Guernica
“Invocation to Flame” and “Echeneis or Six Ways of Letting Go,” Muzzle Magazine
“Ars Mythos,” Tinderbox Poetry Journal
“An Inventory of Margaret Cavendish’s Laboratory,” Glass Poetry Journal
“Reconfiguration,” Baltimore Review
“Osteoclasts,” sixth finch
“In Which the Trojan Horse Burns Blue,” The Rumpus
Reviews, Interviews, Features
Review by Lisa Summe for Tinderbox Poetry Review
“Maddy’s debut collection is fire, the kind capable of igniting itself: “I don’t wash my hair for ten straight years / and each day the oil drips down my back, / a just-in-case gasoline that I keep close by (16).” Among the wreckage and the debris of violence, we find a vulnerability and tenderness and it is both universal and deeply private. I’ll be pulling this book from the shelf all year.”
—Lisa Summe, Tinderbox, October 2021
Review by Z.L. Nickels for salt hill journal
“For her first collection, Madeleine Wattenberg has pushed the boundaries of our engagement with myth by traversing the field of desire. It is an admirable debut. It is perhaps most admirable when asking what Io of Argos never could: once transformed, who are we to blame for our transformation?”
—Z. L. Nickels, Salt Hill, August 2021
The Rumpus, “What to Read When You Want to Celebrate Poetry”
Miracle Monocle (Interview with Michael Pfaff)